Sunday, September 11, 2005

TCB in the Humanities



The above paintings are group projects produced by a visual arts class at LMU in LA. They are on permanent display in the LMU cafeteria. They are a wonderful contribution to an otherwise very bland room. I sometimes wonder whether this kind of group project--which clearly benefits the community, doesn't aspire to any sort of transcendent greatness, and doesn't require genius to produce--couldn't be replicated in a philosophy class. Why not organize an introductory philosophy class around some particular public debate with the goal of producing a group-written paper at the end of the term that clearly lays out the debate and explains why certain positions in it are simply untenable? I think that's a reasonable goal that a group of undergraduates, with sufficient guidance, could produce in a term. Why think that every student, on their own, has to produce a novel contribution to philosophical scholarship on some topic?

Chinatown

Chief Rocker

Wyeth Hansen Original

Scenes from a graduation



Actually, these are from a "white coat ceremony" for incoming medical school students at UVA. But the scenes are the same.

Saturday, September 10, 2005

Pre-Katrina Mindset

I've long thought the left needs some stronger rhetorical tools. Brian Leiter, in his blog, posted the following rhetorical suggestion by Robin Kar (Law, Loyola-LA):

Has anyone started using the term 'Pre-Katrina Mindset' to refer to the line of argument that (i) assumes the legitimacy of minimizing the government's capacity and responsibility to act for the common good and (ii) places all responsibility on private individuals to take care of themselves? As we all know, these are two choices (in terms of allocations of responsibility) that a narrow group of people in this country have increasingly pushed on the whole, and with great tenacity, over the last several decades. They have succeeded in large part because they have been able to keep most people less than cognizant of the full consequences of these choices, and even of the fact that these are choices.

Tuesday, September 06, 2005

Eight Arguments for Moral Skepticism

Since my dissertation is in part concerned with moral skepticism (MS), I thought I would share some of the arguments for MS that I've collected. (Which is not to say that I agree with them: if you must know, I think all of the arguments below are flawed.) Please contribute any additional arguments that you can think of.

First, many have argued that there are not any moral facts on the grounds that moral disagreement is widespread and ineliminable, even among rational inquirers. This claim, when combined with commitment to a Piercean conception of the facts as that which rational inquirers would ultimately converge in judgment upon, implies that there aren’t any moral facts.

A second argument for MS begins with a commitment to the view, famously held by Samuel Alexander, that something exists if and only if it is causally efficacious. When a commitment to this view is combined with reasons to doubt the causal efficacy of putative moral facts (e.g., because everything that they are thought to cause can be explained in non-moral terms), MS follows.

A third argument arises from reflection on the apparent truism that moral demands are categorical, in the sense that moral demands provide agents with reasons for action irrespective of their own pre-existing desires or inclinations. When acceptance of a suitably robust form of this truism is combined with acceptance of a less-obvious theory of reasons for action—such as the view that reasons for action must make essential reference to an agent’s pre-existing desires—then skepticism about the very possibility of moral demands follows, since nothing can give us categorical reasons for action.

A fourth argument begins with the observation that moral judgments are essentially practical: that is, the observation that a sincere avowal of a moral judgment is internally connected to action. When this internal connection between judgment and action is accounted for in terms derived from Hume’s philosophy of mind and action, MS follows. The first step in this Humean argument is the claim that there are two, fundamentally distinct (i.e., independently intelligible), sorts of states of mind: beliefs and desires. Beliefs are cognitive, in the strict sense that they only aim to represent facts in the world. Desires, on the other hand, are affective, in the sense that they move us to act, regardless of how the world as a matter of fact is. The second step in this argument is to note that for a judgment to be essentially practical, it cannot (merely) contain beliefs, since they, in themselves, are motivationally inert. Thus, moral judgments must really be expressions of desires, since that’s the only way to explain their internal connection to action. The third step is to note that since moral judgments are really just expressions of desires, and desires are essentially non-cognitive (i.e., non-representational), the very idea of moral facts turns out to be an illusion, a wheel that turns nothing.

A fifth argument first begins with an appreciation of the conclusion of G. E. Moore’s infamous “Open Question Argument”, which claims that moral goodness is irreducible to any natural property. When an appreciation of this conclusion is combined with a commitment to naturalism, the metaphysical view that there are no non-natural properties, MS is the surprising, un-Moorean result.

A sixth argument begins with an acceptance of R. M. Hare’s claim that it is a conceptual truth about moral judgments that they supervene on non-moral descriptive judgments (i.e., that it is criterial of competence with moral concepts that one refrain from judging two events to be identical in non-moral terms, but different in moral terms). Acceptance of this conceptual truth creates a problem for believers in moral facts, because it looks especially difficult for them to explain why there is this tight connection between non-moral states of affairs and moral states of affairs (unless they claim that moral states of affairs are reducible to non-moral states of affairs, which anyone moved by Moore "Open Question Argument" will deny). For those who do not believe in moral facts, on the other hand, there is no problem with accepting Hare’s conceptual truth, since they can explain this tight connection between moral judgments and the non-moral facts by claiming that moral judgments are stable affective responses to the non-moral facts, where our practical need for these affective responses to be stable (i.e., consistent) explains the tight connection.

A seventh argument for MS begins by drawing a distinction between two types of representations: (i) perspectival representations, i.e., representations whose content reflects something about the agent doing the representing, and (ii) absolute representations, i.e., representations whose content does not reflect anything about the agent doing the representing. It then places moral judgments on the side of perspectival representations, in virtue of their internal connection to action. If this view of moral judgments is combined with a commitment to both the view that perspectival moral judgments are not reducible to any sort of absolute representations and to the view that although there is such a distinction within representations, there is no such distinction within what is represented—since representations, as such, are about what is there anyway, independent of us and anyone else—then MS follows, since there are, strictly speaking, no perspectival facts (e.g., moral facts) for perspectival representations to represent.

A final argument for MS begins with the observation that God is dead. When this observation is combined with the view, widely held outside of philosophy, that moral values derive from God (as President Bush put it, “We need common-sense judges who understand our rights were derived from God.”), then MS follows.

Monday, September 05, 2005

Neglected Differences

One of the goals of my dissertation is to give a positive account of the difference(s) between moral judgments and descriptive judgments. As such, preliminary targets of mine include (i) philosophers whose account of moral judgment does not offer a positive account of any such difference(s), and (ii) philosophers whose account mischaracterizes the difference(s).

Examples of (i) include most contemporary moral realists, e.g.:

-the so-called “Cornell realists” and Peter Railton, who argue for realism by treating moral theory as a species of natural science

-proponents of the so-called “companions in guilt argument”, such as John McDowell and Hilary Putnam, who argue for realism by pointing out that the arguments for moral anti-realism, if accepted, equally well entail that some less-obviously unreal facts are unreal (such as color facts, or natural scientific facts)

-philosophers such as Kant and McDowell who, on the basis of moral phenomenology or the so-called “rule-following considerations”, argue against the Humean theory of motivation (and the anti-realism it is widely taken to imply) by rejecting the claim that there are no intrinsically action-guiding descriptive judgments

-advocates of “disciplined syntacticism” (such as Lovibond and Boghossian), the view that a judgment has truth-conditions iff it (a) has the syntactic features of paradigmatically truth-apt judgments (i.e., that it can be embedded in conditionals, etc.), and (b) its use exhibits sufficient discipline such that we can identify clear cases of correct and incorrect uses

Examples of (ii) include Simon Blackburn and Crispin Wright, among others. (More about them later.)

Sunday, September 04, 2005

Realism about aesthetic values


Just discovered a great book on architecture: Brent C. Brolin's "The Designer's Eye" (Norton, 2002). It consists entirely of pairs of photographs of buildings, accompanied by commentary by Brolin. Each pair contains a doctored and undoctored photo of a building. In the doctored photograph of each pair, Brolin has changed some particular aspect of the building for the worse. In the commentary, he explains why the change is for the worst. I think that this book provides an excellent case study for philosophical debates about the realism (or lack thereof) of aesthetic values and our judgments about them. Basically, such debates center around the question of whether aesthetic claims are literally truth-evaluable. (What it means for aesthetic claims to be "literally" truth-evaluable is debatable, of course, but for present purposes it suffices to say that "literal" truth-evaluability precludes drawing invidious distinctions between the not-completely-full-blooded-truth-evaluability of aesthetic claims and the completely-full-blooded-truth-evaluabilty of some other paradigmatic sort of knowledge, such as natural scientific knowledge. Of course, minimalism about truth and truth-evaluability threatens to dissolve this way of construing the debate, but I'm not going to worry about that right now.)

Consider, for instance, Brolin's discussion of the pair of photographs I have posted below under the names "Exhibit 1" and "Exhibit 2". Here is Brolin's commentary:

"The two pictures [below] are almost identical. In the lower photograph a line cuts across the building (it's a very vivid red in the original). The line has a visual impact. It emphasizes the horizontality in two ways. It is like a measuring tape running across the full width of the building saying, 'Look how wide I am'. It is also a divider. It slices through the only element that challenges the building's horizontality, cutting the squarish block to the left of the entrance into two horizontally proportioned rectangles." (p. 4)

First off, I think it is essential to say that I think Brolin is clearly right about this. Although the philosophical debate is (supposedly) about what it is for aesthetic judgments to be "right" or "wrong"--where the debate is supposed to be about whether we need construe the kind of "rightness" and "wrongness" involved in realistic terms--and therefore neutral on the "truth" or "falsity" of any particular first-order aesthetic judgments, I think reading and thinking about substantial first-order aesthetic claims such as this one--whose truth seems palpable--creates a presumption in favor of realism that is hard to dismiss out of hand. My point, in a sense, is just that it's much easier to motivate anti-realism by starting with very thin examples of aesthetic judgment that don't strike one as being as insightful as Brolin's is. But I think this point is important because it's this sense of the possibility of such judgments exhibiting such insight that goes a (really) long way towards motivating realism and making it (very) difficult to construct anti-realist accounts that are able to plausibly explain where this sense of insightfulness comes from. Of course, contemporary debates about realism and anti-realism about aesthetic (and ethical) value claim to take the ordinary practice of judging some such aesthetic claims to be "true" for granted. The debate is supposed to just be about what sort of facts need to be invoked in order to provide a philosophical explanation of this ordinary practice. But I seriously wonder whether starting with examples such as Brolin's wouldn't partially undermine much of the motivation for anti-realist accounts. For example, here are two arguments for anti-realism that I think have a hard time getting off the ground if one begins with examples such as Brolin's:

(1) The argument from diversity (the view that reasonable disagreement about aesthetic judgments is ineliminable). I think that with regard to aesthetic judgments such as Brolin's, it's easier to say, "If you don't agree, then you don't get it" than it is to say "Of course, it's obvious that reasonable people could disagree about this".

(2) The argument from internalism (roughly, the view that sincerely believing that something is beautiful is necessarily connected up with acting in certain ways). Once again, it is easy to make internalism sound mysterious if one just focuses on examples like "Well, couldn't someone think the the 'Mona Lisa' beautiful without that belief in any way affecting their actions?', rather than examples like Brolin's. For instance, it would seem to me to be practically irrational for someone to say, "Oh, I see Brolin's point, but I'd rather build the building without the line, thank you very much". What? You think the one looks better, but you're not going to build it that way (without invoking considerations like the fact that the one with the line is more expensive and we're low on funds, etc.)? The sense of mystery that anti-realists like to dwell on with regard to internalism (in order to motivate the claim that aesthetic judgments are really just expressions of non-cognitive affective responses, for example) is simply lacking, I think, if one begins with an aesthetic judgment such as Brolin's--that is, one that is obviously true.

I should try and say something later about why I think the sense of insightfulness that accompanies reading Brolin is important. More later.

Realism about aesthetic values: Exhibit 1


"A two-story space (the box that breaks the roofline) interrupts the horizontal sweep of this township building." (p. 16)

Brent C. Bolin, "The Designer's Eye" (Norton, 2002)

Realism about aesthetic values: Exhibit 2


"Slicing the squarish box in two with a long line emphasizes the horizontality of the structure. The two-story box is now two long rectangles, one atop the other." (p. 16)

Brent C. Brolin, "The Designer's Eye" (Norton, 2002)

L.A. Neon

L.A. Neon at the MONA

L.A. Neon at the MONA

The Tour Guide

Randy's Donuts

Monica Mural in L.A.


Spotted this while driving around in L.A. this past summer.

Video Killed the Movie Star

From an online interview with David Thompson:

"I mean, at the moment I would almost rather review some video games than movies--not only because more people are looking at them and because my children are looking at them, which are good reasons, but because I think they're almost more interesting."

The entire interview is available at:

http://citypages.com/databank/26/1282/article13454.asp